Sinopsis
A medio camino entre la novela de misterio y la novela de horror, El fantasma de la Ópera se adentra en el fascinante mundo de los escenarios para extraer su inspiración de los misterios que se ocultan tras los telones y entre bambalinas. En ese mundo encontró Gaston Leroux el espacio, los artificios y los personajes de la gran tradición gótica: un edificio de la Ópera imposible (pasillos húmedos que desembocan en trampas mortales, un lago subterráneo...), un ser tenebroso, atormentado por su extrema deformidad y por su fealdad, pero apasionado por la música y enamorado hasta el límite de la belleza, encarnada en una joven cantante de ópera. Es el patetismo de este personaje lo que ha situado El fantasma de la Ópera entre los grandes mitos de la novela gótica -o de terror-. Monstruo de feria desde su nacimiento, aborrecido por sus padres, el «fantasma» ha sido condenado desde el principio... Y desde su nacimiento legendario y su pasado de inventor de trampas y mazmorras más allá de los confines del mundo civilizado, hasta su vida diaria en los infiernos de la Ópera, este ser de las tinieblas -hermano de los desheredados de Victor Hugo o de los personajes errabundos de Sue- tiene de su parte la compasión del novelista y del lector.
Valoraciones de la comunidad (actualizado: 23 Mar 2026)
media
3.96
valoraciones
0.3M
Autor
Gaston Leroux
Author
Gaston Louis Alfred Leroux was a French journalist and author of detective fiction. In the English-speaking world, he is best known for writing the novel The Phantom of the Opera ( Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney, and Andrew Lloyd Webber's 1986 musical. It was also the basis of the 1990 novel Phantom by Susan Kay. Leroux went to school in Normandy and studied law in Paris, graduating in 1889. He inherited millions of francs and lived wildly until he nearly reached bankruptcy. Then in 1890, he began working as a court reporter and theater critic for L'Écho de Paris. His most important journalism came when he began working as an international correspondent for the Paris newspaper Le Matin. In 1905 he was present at and covered the Russian Revolution. Another case he was present at involved the investigation and deep coverage of an opera house in Paris, later to become a ballet house. The basement consisted of a cell that held prisoners in the Paris Commune, which were the rulers of Paris through much of the Franco-Prussian war. He suddenly left journalism in 1907, and began writing fiction. In 1909, he and Arthur Bernède formed their own film company, Société des Cinéromans to simultaneously publish novels and turn them into films. He first wrote a mystery novel entitled Le mystère de la chambre jaune (1908; The Mystery of the Yellow Room), starring the amateur detective Joseph Rouletabille. Leroux's contribution to French detective fiction is considered a parallel to Sir Arthur Conan Doyle's in the United Kingdom and Edgar Allan Poe's in America. Leroux died in Nice on April 15, 1927, of a urinary tract infection.
Colaboradores
Detalles editoriales
editorial
Círculo de Lectores
formato
Paperback
páginas
302
idioma
Spanish; Castilian
publicación
1990-01-01
isbn
9788422630760
kindle
$1.99
Personajes
Lugares